The LOST writers are juggling twenty pies right now, but I trust them to resolve the questions that matter most to me without making too much of a mess. That said, I’m fine with LOST wrapping up with dashes of clarity here and puddles of muddle there. Would any fan of this show be happy with a “man-behind-the-curtain” series of revelations? It seems apparent to me from the premiere (well, even before that, but the premiere confirms this I think) that we’re headed for a complex conclusion and one in which few if any of the characters emerge unscathed and the suspense of it all is gripping.
With all of the big picture issues that surround the LOST characters, despite how fascinating many of those are in and of themselves, the primary draw of this show is the realism of the main characters. The storytelling structure of this show has given us more insight into its main characters than any other television show has ever attempted. What I admire and appreciate most about LOST is the plausibility of the characters’ responses to their chaotic situations, their frustrating lapses and heroic choices, their meaningful emotional connections to each other and dysfunctional emotional behavior, too. So far, I believe the characters. They make sense to me. I like most of them. And I find myself rooting for them.
I’ve come to terms with and now appreciate the show’s blend of magical realism and science-fiction and humanism and (sometimes soapy) operatic romance. Clearly, things happen on this show that seem arbitrary and strange and for which no explanations will ever be forthcoming. Some people are upset by this. I used to be one of them, but I’m not any more. Maybe I’m at peace with the show’s absurdities because I was recently blindsided with an incredibly freaky injury that has fundamentally altered my lifestyle. I’ve also just been hit with a creepy, new, totally unjustifiable tax. Where did that come from? But then I’ve also had innumerable, unexpected positive experiences in my life that I would never have predicted and for which rational explanations would be somewhat forced. For example, the LOST-like chain of improbable but actual events that led to my parents falling in love and creating me and then to me and my wife meeting and falling in love and making our lives together.
So, as the final season of my favorite show launches, I am not preoccupied with the idea that the writers need to tie up every loose end or explain away every bizarre moment. I’d rather some things remain mysteries than have the writers contort the characters and plot in order to achieve a story that has no open questions.
Mysterious stuff happens in our lives all the time. I don’t believe in mystical stuff, and yet I marvel at the effects of freedom’s “invisible hand,” the splendid and surprising diversity of results produced by spontaneous, purposeful human action. There is a persuasive empirical basis for the theory of free markets, but that doesn’t make the design accomplishments of unplanned human behavior any less marvelous and unpredictable.
When I pause and think about what makes it possible for you and I to cook a meal in our homes using ingredients and tools and materials and energy sources and technologies from all over the country and even the planet that were developed over the course of centuries…. every single day of our lives we choose, for the most part, not to contemplate the wonders just under the surface of the ordinary. We have the luxury of not needing to know the answers to questions about how our televisions work, how natural gas flow to our stoves is safely maintained, how fresh blueberries from Chile are made available to me in the dead of Winter here in New York. We live in a magical world.
On the show, LOST, everything that is ordinary is also extraordinary. Nothing in LOST can be taken for granted. LOST’s exaggerations clarify the extraordinary nature of the experience of being human.
LOST also appeals to me by spotlighting the significance of circumstance and choice, by emphasizing the inextricability of context and individuality. In LOST, choices always matter, but reality cannot be outflanked. And given the exotic nature of “reality” on this show, the tension between what people choose to do and what the rules of the world in which they operate will permit to happen produces thrilling, heroic, and tragic results.
My overall impression of the Season 6 premiere is quite positive. I think they’re setting us up for a heartbreaking season. I would speculate that our favorite characters are going to pay a steep price in order to make it possible for them to lead “normal” lives in which they lose the knowledge or memory of the island and of one another. There may be serendipitous paths-crossings, which the audience will enjoy, like the scenes involving Locke and Jack and then Kate and Sawyer at the airport. Almost certainly, there will also be tragic outcomes, unintended consequences. The parallel storytelling that they’ve set up in this first episode is, I speculate, a way of showing us that the main characters’ heroic and misguided and successful and futile attempts to “do the right thing” and/or to escape one or more frying pans won’t render them immune to fire.
Or, I may be wrong. But I’m hooked. I love it. There are so very many ways to appreciate this show. Here is the first page of a lengthy thread about one possible grand unification theory that would explain what is happening on LOST, a theory originated by one bright and passionately devoted fan. It’s a tremendous creative accomplishment in and of itself, only one example of why it’s a thrill to be part of the community that is watching and thinking about LOST. Another example would be the friends with whom I laughed and exchanged mind-boggling notions during the premiere last night.
And though I can’t wait for next week, there’s something bittersweet about each episode bringing us closer to the end of this brilliant, televised novel.
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